Sometimes a game calls to me because of its theme. Racing ramshackle pipe ships through space in Galaxy Trucker, hell yeah! Growing a fast food franchise in Food Chain Magnate? Sign me up. Other games, I play in despite of their theme. Taking on the role of rajas and ranis to improve their estates and collect fame and wealth in 16th century India? Uh, I guess so? And that’s exactly where Inka and Markus Brnad takes us in Rajas of the Ganges.
How to Play
In Rajas of the Ganges, players are racing to accumulate the most money and fame points, with the winner being the first player to have those two tracks meet. The fame track moves clockwise around the board, while the money track travels counterclockwise.
There are 4 main locations to place your workers and take actions. The quarry is where you’ll trade in dice to acquire land to slot into your province, that will earn you fame and resources. The market, allows you to earn money based on the resources that are currently in your province. The River sends your boat flowing up river gently, offering a myriad of benefits depending on the space your boat lands on. And lastly, the Palace, where you’ll either get dice, or, gain a benefit depending on the value of the dice you’re giving up.
Each round consists of players placing their workers in one of the open action spots, paying the required resources (usually money or dice), and taking the action. When all players have run out of workers, the board is cleared off, and the start player moves. Rounds continue until someone’s money and fame tokens cross, then players get an equal number of turns, and the game comes to a sudden end.
Review
Rajas of the Ganges by Inka and Markus Brand is a worker placement game with a plethora of chunky, colourful dice. While at first glance it looks like a dice worker placement game, the dice are actually a resource that will dictate how some of your actions trigger. I do like that the pip value of the die isn’t automatically determinative; there’s good uses for both high and low valued die, you just need to be in a position to utilize those dice when they show up on your Kali statue.
The theme of Rajas of the Ganges doesn’t come through particularly strongly. The board is bright and colourful, each player has a Kali statue and the first player token is an elephant. As someone who knows approximately nothing about 16th century India, sure, the theme looks good. But upon even slight inspection, it starts to fall apart. Like, what do the dice represent? Why are they being used to build palaces and resources in your province? It’s fine, I don’t need an extremely well integrated theme in my euro games, but it’s worth mentioning that the theme isn’t going to inspire a history lesson.
We played the basic game, which means our Kali statues could hold 10 dice, and we only had access to 5 workers throughout the game. Each turn in Rajas of the Ganges is quick and snappy. Simply place a worker, do the action, and then the next player takes their turn. And yet, the opportunity for combos exist. Turns like “place a worker, get 3 money, which earns you one boat movement point which gains 3 fame points, which earns my 4th worker” are incredibly satisfying when they do show up. There are a myriad of different ways to use the dice, from spending the big ones to buy land tiles for your province, to using them for specific actions in the palace. Instead of making you feel like your dice are bad, it feels more like you’re just not in the right situation, which is an important distinction.
One of the main draws of Rajas of the Ganges is the mechanism in which the game comes to an end. With the money track and the fame track running opposite to each other, it’s a race to be the first one to have your tokens cross, but how you achieve that is up to you. Whether you chase a dozen buildings for ultimate fame, pull in vast amounts of money, or settle into a combination of both, you’re going to be tempted to build an engine, but in reality, this is a race. It doesn’t matter how far you can push your fame and wealth tokens past each other, the only thing that matters is that they pass. Once someone’s tokens pass, the endgame is triggered. Players sitting between the player who achieved this feat and that start player can place one more worker, then that’s it! To make this even more tense, the money track can fluctuate up and down. More than once I found myself single money away from getting a bonus resource because someone else took the slightly cheaper action spot right before I did. Frustrating, but also, exciting when you manage to do the opposite; collect the perfect amount of coin to trigger your next benefit, catapulting you into the lead.
As I mentioned above, the dice in Rajas of the Ganges are a resource, and a precious one at that. You need dice to do most of the actions in the game. What becomes a challenge is getting more dice into your supply. The palace offers spots to trade a whole worker for a single die, or, trade in one die for two others of a different colour. For some reason, that trade option feels so much stronger, but in any case, you’re still only netting one die. If you find yourself in a situation where you’ve run completely out of dice (because you just bought a province tile that needed 9 pips, which would be a minimum of 2 dice), you’re going to then have to spend 3 or 4 whole actions just acquiring dice while watching your opponents get further and further ahead. And in a tight race game, that can feel absolutely brutal.
It’s kind of amazing how well Rajas of the Ganges scales up at the end of the game. Several rounds go by and one or two players have gotten their fourth worker, then all of a sudden it’s “I earn 7 money and 8 fame points” and you realize that the other players are in striking distance of ending the game. Rajas of the Ganges doesn’t outstay it’s welcome, it takes 15 minutes to learn and an hour to play the basic version. The Navaratnas version introduces a fair bit more control over the bonus resources you can obtain, which I can see lead to some turns dragging as players try to consider all the permutations of their choices, but I was pretty happy with the basic version.
Rajas of the Ganges isn’t the kind of game that takes half a dozen plays before players ‘get it’, which is great, but it also doesn’t offer anything that really makes you want to come back. It’s fast to introduce new players, and it offers substantial strategies and choices right from the get-go, but it’s missing a satisfying hook or spark that makes me want to come back to a game over and over again.
Rajas of the Ganges is an enjoyable game to play. It offers a relaxing and attractive game, and makes you feel clever and special when you manage to chain off a combo and snag a worker a whole round before the other players. The strategies feel variable and powerful, and the extra modules give players even more control, if they feel like they want them. I hate how difficult it is to acquire more dice, considering how many actions require you to have them, but it’s hardly a criticism that should prevent you from playing this game. There are a lot of great mechanisms here, and they’re integrated with each other wonderfully. While Rajas of the Ganges didn’t hit a home run with me, I can absolutely see how some people fall in love with this charming dice game.
Disclosure: A review copy of Gloomhaven: Jaws of the lion was provided by Cephlofair Games
Introduction
If you had asked me my thoughts on Gloomhaven two months ago, I would have pointed you to my post on Bigfoot’s Trash Taste, where I boldly speak about how I find Gloomhaven frustrating and how I didn’t enjoy the dozen times I sat down to play it. So when the opportunity from Cephlofair Games to get a review copy of the smaller follow-up game, Gloomhaven: Jaws of the Lion came up, I was surprised to find myself compelled to revisit the Gloomhaven system.
I recently wrote more in depth about the full sized Gloomhaven, the 21 pound big red box full of mystery, anguish, joy, and frustration. I talked about how a negative first impression soured my opinion of the game for nearly 5 years, only to have it slowly turned around by the digital implementation. So when Jaws of the Lion showed up at my door, I roped a couple of friends (Bear, from my regular weekly game night and his partner, Lynx) into playing with me. Bear has some experience with role-playing games, and his wife, an avid gamer in her own right, enjoys combative games. If there’s a throat nearby, she’s keen to punch it, but neither had played any Gloomhaven before.
With that in mind, over the past month we’ve made our way through the first 5 scenarios for Gloomhaven: Jaws of the Lion. Before I really launch into how our games went, you might be asking yourself: “What exactly is Jaws of the Lion and what makes it different from Gloomhaven?” While Gloomhaven is a massive box with a ~100 scenario campaign, 17 playable characters, more than 30 different monsters, and dozens of map tiles to create wildly different scenarios, Jaws of the Lion is a much smaller box. Containing only 4 playable characters, 16 monster types, and a comparatively straightforward 25 scenario campaign. The goal of Gloomhaven: Jaws of the Lion was to provide an easier way for gamers to get introduced to the Gloomhaven system. The first 5 scenarios are a tutorial that introduces the rules of the game gradually, instead of all the information overload that the full Gloomhaven game is. The setup for each scenario is simplified in Jaws of the Lion, due to the map tiles being replaced with a spiral bound scenario book that features artwork specific to each scenario.
How to Play
Here’s an extremely quick how-to-play. At the start of each round, you’ll play two cards from your hand. The number in the centre of one of the cards will indicate your initiative, that will dictate the turn order. On your turn, you activate the top action of one of your cards, and the bottom action of the other card. Every card for every character is different, and using your abilities to synergize with each other is key to victory. As you gain levels, you’ll have more cards to choose from, but the number of cards you can take into each mission is static, based on your character.
Most missions in Gloomhaven: Jaws of the Lion are comprised of ‘kill everything’, and most actions involve moving and hitting. Each attack has you flip a card from your own attack modifier deck, which you can upgrade and modify as you accomplish tasks and gain levels.
Now, that’s basically it, but there are a ton of rules and nuance in Gloomhaven that are important to understand fully before you can understand the situations well enough to play through a mission well!
Review
Introducing Bear and Lynx to Gloomhaven via Jaws of the Lion was a treat. The tutorial structure introduces the very core mechanics with special, tutorial cards that include helpful text boxes of how to read the icons and apply the effects of the card. The enemies have one static ability, making it easy to plan your approach, and it feels like any group could stumble through this mission and come out the other end unscathed.
The subsequent missions add in all the elements that make up the full Gloomhaven gameplay experience. More cards, burning (or losing) cards after a powerful effect, experience points, gold, elements, modifier decks, monster attack decks, blesses and curses, pushing and pulling, status conditions, losing a card to negate damage, and so on. The training wheels come off and the tutorial launches the player into the full Gloomhaven experience. There are so many things going on in a regular Gloomhaven game that introducing someone to the full experience is quite a challenge. This, step-by-step approach worked wonders. At no point did any of us feel overwhelmed by rules. Each mission stretched our brains like pizza dough until we filled the pan. Gently, working each corner one at a time, careful not to tear our precious brains by roughly forcing too many rules in at one time.
The setting and story is dark and brooding. It starts with a missing husband, and very quickly you stumble into occult rituals and dark sacrifices. Unnatural abominations and living corpses are featured early on. That said, the gameplay is entirely combat; you’re trying to kill your opponents. If violence and malevolence turns you off, the narrative is going to leave a sour taste in your mouth.
I’m not sure what else to say about Gloomhaven: Jaws of the Lion. If you’ve played Gloomhaven, it’s more of the great gameplay that you’ve come to expect, albeit a bit of the extraneous bits trimmed off the edges. If you’re new to the system, the tutorial is an excellent on ramp to the system. Once you’ve learned the whole game, Jaws of the Lion might feel a bit too streamlined for your liking. The four characters synergize extremely well together, and that’s by design. You don’t need to spend significant time and effort crafting each of your characters and decks, so they’ll work together. In the same breath, the missions feel easier than the base game. We’ve come close to losing only once, and that might be a byproduct of the built-in synergies of the 4 classes that come in the box.
At the end of the day, if you’re interested and inexperienced in Gloomhaven, you cannot go wrong with Jaws of the Lion. It’s cheaper to acquire, faster to set up, and guides you into the experience. I can absolutely see people completing the ~20 missions that come in the campaign, then launching themselves into the full game, only to really appreciate the guard rails that Jaws of the Lion has for its players. Those guard rails are helpful for some people, but restricting for others. Treating Jaws of the Lion as an epilogue for a group that actually managed to complete their Gloomhaven campaign may feel a bit unsatisfying. It lacks the long term goals and discovery that I think takes the experience up to the next level.
Mechanics: Deck Building, Narrative Adventure, Pick up and Deliver, Legacy
Introduction
It’s kind of amazing how Legacy games rose and fall over the last decade. What started back in 2011 with Risk Legacy, and rose to provenance in 2015 with Pandemic Legacy: Season 1, there was a time when Legacy games were all the rage, when board game hobbyists were clamouring for more campaigns. Original games like Seafall and Charterstone promised a unique game experience instead of using a ‘tried and true’ existing game as their foundation. Ultimate Werewolf, Machi Koro, and Betrayal at House on the Hill all produced Legacy versions of their popular games.
If you were anything like me, we went from a dearth to a glut of half-finished campaigns. It turns out, committing to play the same game 12 – 24 times is actually quite a tall order. With 4 players, all of whom have different tastes, and new games always on the way, choosing to return to a Legacy game means not playing whatever new, exciting game for another week. And then one of your friends decides to start a board game blog, and is always pushing to play something new, so he can produce new content, and you’re left with boxes of half finished games on your shelf. What scum.
How to Play
Clank! is a deck building game, in which players are delving into a dangerous mine to steal the most valuable artifact they can get their hands on, then escape with their loot. Each player starts the game with a deck of 10 cards, containing some boots for movement, some burgle, that grants some skill, which allows you to buy new cards, and a two stumble cards, which simply produce the titular resource, clank.
As players play cards, acquire new cards, and move deeper into the dungeon, they will inevitably produce clank, which represents the noise you make. After buying cards from the market row to augment and power up your abilities, the new cards that come out may have a symbol that triggers the dragon to attack. When this happens, all the clank that has been produced gets swept up into a bag, then, some cubes are drawn. If your colour comes out, OUCH! It gets placed on your health bar, and should you ever reach 10 damage, you’re out of the game. As you and your fellow thieves manage to ransack the dungeon, the dragon will get angrier, and draw more cubes each time an attack happens. If you die while in the underground, you’re the dragon’s dinner. You don’t get the opportunity to score your points, and no one remembers your name. If you die while in the above ground, hurrah! The local villagers haul your maimed body to the inn, where you can recount your tale of danger. Even better, if you manage to return to the starting spot with an artifact in hand, you earn a bonus 20 points.
Clank!: Legacy – Acquisitions Incorporated takes this gameplay, and adds in some story beats. A narrative set in the Penny Arcade universe, with extra goals and bonus objectives that can help or hinder your party should you manage to complete, or fail to satisfy before the end of each game. As each game progresses, you’ll be tearing up contract cards, placing new location stickers on the board, augmenting cards, and adding bonuses to specific spots on the board. Each game will end with a winner, the player who earned the most points, and a Associate Spotlight, the player who managed to accomplish the objective set by the story at the start of the game.
Review
My experience playing Clank!: Legacy – Acquisitions Incorporated was a bit odd. We bought the game as a group and broke it out during our first Cabin-con. We played 4 games back to back, and I was utterly in love. There was so much discovery, so many things to sticker, branching paths in the narrative, I was deliriously enjoying the experience. The last game of that weekend saw my character at the bottom of the map while everyone else was nearly out, spelling an almost certain doom for me. I choose to accept my fate and push further to get the last story beat, which just so happened to reveal a genie, granting me a massive 20 point relic, and teleporting me out of the danger zone. That was one of the few games I won.
My goal while playing Clank!: Legacy – Acquisitions Incorporated was never to get the highest score. Instead, I always chased down what thought the associate spotlight award was going to be. I would beeline to the spots on the map that would have us reading from the book, I would eschew ‘good’ cards if they didn’t help me fulfill the available contracts. More than once, I sacrificed my game to satisfy my need for discovery.
Each play of Clank!: Legacy – Acquisitions Incorporated took between 2 and 3 hours. Every few turns there’s a new paragraph to be read, stickers to apply, and conditions to update. I loved it, but constantly having to stop, and read, and sticker utterly broke the flow of the game. In the latter half of the campaign, the discovery slowed down. A lot fewer stickers were being placed, only a handful of contracts were available, and the deck of cards left to unlock was gradually getting thinner. Even with the discovery elements waning, each game still managed to introduce new mechanics that would keep the game from getting stale.
After that first day where we played 4 games in a row, it took us a further year and half to finish the next 8 games. Every couple of months we’d break it out, need to re-learn the nuance of the legacy elements. None of us were major fans of the base game of Clank, which Acquisitions Incorporated was based off of, but we knew the gist. We’d often forget how some of the elements that were unlocked in our previous game worked, and we’d often forget the bonuses that we unlocked at our pub, because that board would be way off at the end of the table. Clank!: Legacy – Acquisitions Incorporated is a table hog, spanning the entire breadth of my average sized dining table, and still needing spare chairs for the boxes, books, and sticker sheets. Furthermore, we’d forget the nuance of how the shrines worked, or that we had to draw vault cards at the start of each mission. I suspect this wouldn’t have been a problem if we had less time between each games, but, when your game group priortizes new games over old ones as ours does, there’s only so much you can do. It weirdly felt like learning a new game, every time we sat down to play.
I don’t know if Clank!: Legacy – Acquisitions Incorporated is strictly better than the base game of Clank!. Now that we’re done, none of us feel compelled to keep the giant box that held everything. There’s literally a 0% chance one of us will want to play a ‘normal’ game of Clank! on that legacy board. At least with the base game (or one of the sequels that offer a spin on the main layout) I’d feel compelled to play with people who are new to the deck building genre of board games. Clank!: Legacy – Acquisitions Incorporated is a behemoth on the shelf, taking up too much space, and now that we’ve finished the story, there’s a dozen little rules that’d I’d have to teach that when introduced over time, aren’t too onerous, but when thrown in all at once, can be a bit overwhelming.
Luck and balance aren’t things that I want to harp on, as with every deck builder, there is some element of luck. Pulling enough boots at a critical moment, or getting just the right amount of skill points, allowing you to get a powerful card at the perfect time, isn’t something that can really be balanced for. The deck of cards that makes up the offer is thick. There are few duplicates in the deck, making the offer feel different every time. That said, it really sucks when someone manages to score an excellent combo of cards, letting them pull off amazing turns, whilst your turn is “move two spaces, get 3 skill points, produce one clank. Oh look, all the cards cost 4 or more, so I guess I’ll take another explore card.”
The narrative of Clank!: Legacy – Acquisitions Incorporated is funny. My friend, Bear did a fantastic job as the role of the narrator. Perfectly assuming the accents of various rogues and rapscallions. Even with humourous writing and a great narrator, the story didn’t really grip us. One disconnect I had, was that we were all members of the same crew, the titular Acquisitions Incorporated, but at no point is this a cooperative game. Several times the story nudged us in the direction of collaboration, such as not letting the opposing crew, the Dran Enterprises steal our clients, but there wasn’t any real push to collaborate, other than for the joy of the story. As a group of mechanically driven people, it wasn’t enough for us. For each of us, our goal was to win the game, and/or, get the highest score possible. Collaborating would generally be in direct conflict of that goal. More than once I was fusturated by the fact that the next story objective was way at the bottom of the map, so I had to choose between going after that story, or, escaping from the depths before the dragon took a chunk out of my hide. And, as soon as I commit to delving deep, someone would snag a relic, and players would start cycling the offer row, trying to trigger the dragon more and more, punishing me for my choice. It’s a great mechanic in the base game, but when Clank! Leagcy is trying to tell a story, it feels like it’s trying to play two tunes at the same time.
I’ve heard of a few people report that playing Clank!: Legacy – Acquisitions Incorporated was one of their absolute best board game experiences. And some who report that they basically played the game cooperatively, The whole table would work together so they could discover the absolute most that the game had to offer. Honestly, before embarking on this legacy game, I wasn’t a very big fan of Clank! in general. And as far as legacy games go, Clank!: Legacy – Acquisitions Incorporated had everything I want in a legacy game experience; a doublesided map to explore, tonnes of story, stickers, destroying cards, bringing new cards into the system, surprise twists, you name it. But the biggest detractor I felt is that we had to play Clank! 13 times, and had no clear indication what we were supposed to be doing. How you actually win the campaign wasn’t revealed until the entire campaign was over. I was always chasing the Associate Spotlight award, but, that was a self imposed goal. I had no idea what reward that would net me in the end. And honestly, that’s something that’s always really irked me and my game group. We like to know all the rules before we start playing, so, when we open a rulebook and see huge blank spaces to be filled in with new rules as we progress, it’s not something we actually enjoy.
One of our players admitted they weren’t having fun and bowed out halfway through the campaign, so Clank!: Legacy – Acquisitions Incorporated became the game that we played when that player wasn’t available for our regular game night. It took a year and half, but we actually finished it, which is more than I can say for almost every other Legacy game I’ve attempted. I’m happy that we completed the campaign, the experience was good, but I can’t say that it left me particularily satisfied. It’s not something that I would recommend to everyone. If you enjoy Clank!, this is a no brainer. It’s more of what you like, and an obligation to play it more frequently. But if you don’t have any strong feelings for Clank!, or, if you actively dislike it, Clank!: Legacy – Acquisitions Incorporated is not going to change your mind.
It might seem weird to talk about an expansion from 2008 that’s been woefully out of print for longer than I’ve even been into board games, and has a revamped and updated second edition currently available for sale. But I don’t have that second edition, I have the first edition, and I want an excuse to talk about Galaxy Trucker some more
For those uninitiated, Galaxy Trucker, designed by Vlaada Chvatil and published by Czech Games Edition in 2007 is a game in which players are tasked with building a ship in real time. Frantically flipping tiles from the centre of the board and choosing to weld them into a cohesive spaceship, then running that ramshackle boat through a gauntlet of peril, illicits so much joy in my heart. I’ve covered the base game in depth here, and it currently sits as my second favourite game of all time.
The Big Expansion is one of the few expansions that I would call necessary for anyone who’s played a fair amount of Galaxy Trucker. A lot of its additions make the game a bit more punishing, which, after you’ve played the base game half a dozen or more times, feels necessary.
Not to brag, but I have 19 plays of Galaxy Trucker under my belt, making me a veritable veteran. I’ve also played the campaign mode in the app a few times through, meaning my grasp of ship building is not to be underestimated.
My challenge, when playing with new players, is that I have a pretty good idea how to build a ship without any major deficiencies. While I haven’t memorized every tile and card in the game and know exactly how many guns a level 2 ship should have, I’m pretty good at not placing redundant components on my ship. My size lasers are two spaces apart to cover 6 squares, my shields don’t cover the same sides, I don’t have two of the same life support modules on my ship. I can intuit what parts I need for my ship fairly well, and that experience puts me two large steps ahead of my friends, who only have half a dozen plays under their belt.
And, here’s the major problem. When you play it well, Galaxy Trucker is kind of boring. If you make it through all 3 runs unscathed, well… that’s just not very exciting. I suspect the Vlaada Chvatil had similar feelings, because everything in this expansion adds complexity and difficulty. It’s like a saw-blade. In the hands of an experienced person, an excellent tool. In the hands of a child? Well, someone’s going to be upset my this metaphor…
What Does This Expansion Add?
Galaxy Trucker: The Big Expansion adds several modules.
Pieces to allow for a 5th player
New ship blueprints for the first and second adventures
A Rough Roads module, which introduces a new rule for all players
Promo adventure cards, changing up the adventures
Evil Machinations, all players get to insert a potentially devastating card into the adventure deck
New ship classes
Cyan Aliens, who offer unique benefits depending on the specialist you’ve chosen
10 new ship components, all of which add-in some major benefits, but can also have devastating drawbacks.
The new ships are brilliant for those who are experienced with the base game. The level 1 ship can be rotated in any direction, but engines still must fire backwards. These ships can also be hit on every dice roll, no longer can you rely on rolling an 11 and having that large asteroid narrowly miss your crew quarters.
The level 2 ship is actually 2 smaller ships that you need to fly in tandem. They offer many challenges, such as needing to staff and power the two halves of your ship separately, and your flight speed is set to the lower of the two ships. They have a few benefits however, like adding the firepower from both ships together, and more outside edge pieces to place guns.
Neither of these two new ships are ‘insurable’, meaning if you choose to partake in these new designs, you’re putting your wallet at stake. There is no limit to the amount of losses you need to play should your ship crumble under the weight of the galaxy. Luckily for me, playing Galaxy Trucker is never about the money.
Returning to my sentiment about surviving unscathed and how boring it is, the Rough Roads module seeks to ruin your day. A number of the Rough Roads cards are revealed before building your ship, so you can, hopefully, plan around these new rules. They can include things like, explosive batteries, if you lose a battery component, the 8 surrounding components are also lost, or, space junk, in which every piece that falls off a ship becomes a large meteor for every player behind them.
The Rough Roads’ module turns up the difficulty and chaos to its maximum value. I’ve found these cards combined with the new ships are a great way to handicap experienced players. Not all players need to adhere to these new rules, but you can decide as a group. Generally, Bigfoot and I take on the massive challenges, while Otter opts for the safe and easy routes. Again, for me, score doesn’t matter, I don’t care about balance in Galaxy Trucker. I’m here to chew bubble gum and watch ships get blow’d up. And I’m all out of bubble gum.
Who is this Expansion For?
I can definitively say that this expansion is for those who absolutely love the chaos of Galaxy Trucker, and just want more. They want harder missions, tougher ships, and unforgiving twists around every space bend. The Big Expansion (and by extension, the Keep on Trucking expansion for the second edition) breathes life and flavour into a fun and fantastic system.
That said, it also adds complexity. It turns Galaxy Trucker from a game that I can teach to anyone quickly, into a game with well over a dozen different components. The back of the expansion rule book includes a summary of all the new pieces, which I always make a point of putting near the new players, so they can quickly reference what these pieces actually do. Inevitably, they just ignore the new pieces, casting them aside because they’re too complex. It’s a lot of computations their brain can’t handle during the stress of a real time phase.
The tiles are a pain to separate out, meaning this expansion will probably live forever folded into your base game. It’s great for experienced truckers, but fresh meat need not apply.
I love the modularity of the difficulty. I enjoy the trade-offs a lot of the new pieces introduce. The new ships are wild and frenetic, and I absolutely adore everything The Big Expansion adds to Galaxy Trucker. I recognize that the base game was incredibly divisive, people either love it or hate it. If you hate Galaxy Trucker because it’s random, too chaotic, has a ‘pummel the loser’ problem, and feel dispirited when your ship falls apart, this expansion does absolutely nothing to ease those qualms. But if you’re on the ‘love it’ side of that dichotomy, The Big Expansion just gives you more to love. It’s a must-have for Galaxy Trucker fans, and I’m so glad they brought it back for Galaxy Trucker’s second edition.
Disclaimer: A copy of Trekking Through History was provided by Underdog Games for review purposes
Introduction
I have a trick when it comes to introducing people to hobby board games. I find the easiest, most colourful, aesthetically pleasing game with a theme that they already enjoy, and use it to ease them into the hobby. Underdog Games has been producing some very bright and vibrant games with absolutely no expense spared on the production. Neoprene mats, tarot sized cards featuring full sized art, and chunky components make for excellent introductions into board gaming. Add in an educational twist, and suddenly you’ve got a game for both parents and kids to enjoy!
How to Play
In Trekking Through History, you’re playing as time travelling tourists tearing the fabric of the space-time continuum in an effort to curate the most enriching three day vacation through mankind’s past.
Setting up the game tasks players with laying out the neoprene mat that serves as the market row and score tracker, then separate the three decks of cards based on the number in the upper right corner. Each card depicts an event in history, and prominently displays the date the event happened in the top left corner. In the bottom right corner, cards may show several symbols that you’ll earn if you choose to that the card into your Trek, while the bottom left corner tells you just how much time you’ll have to spend for that card.
On your turn, you simply take one of the cards from the row, and collect tokens matching the symbols on the card, as well as a token matching the space the card was on. The tokens fall onto your itinerary and may score you points or earn you time crystals. You move your token on the time track, and place your card into your Trek. A trek is a line of cards with an ascending date, which means if you take a historical event that happens further in the past than top card of your current trek, you’ll need to start a whole new trek (It’s also worth mentioning that you can only have one active trek at a time). Then, the player whose token is furthest back on the time track, gets to take the next turn.
The rounds ends when all players time tracker tokens reach the 12 o’clock spot. The cards in the market are wiped out, and the round 2 cards come in, which span from the earliest records of BCE, all the way to almost modern day events. After the third round, the scores are counted. Your final score is based on the points you earned during play, and each of your treks are scored based on how long they are. There’s a helpful reminder on the right side of the score track. The player with most points wins!
Review
Starting off with the physical production of Trekking Through History, the components are fantastic. All the tokens you’re collecting to fill your itinerary are made of moulded plastic, and are stored in a firm, plastic case. The player markers are large, chunky plastic stopwatches that move around the circular time board, and the main play area that contains the card river and score track is a stitched edge neoprene mat. Each of the large cards feature unique and vibrant artwork. All of this to say, the components of Trekking Through History make the game feel like a premium product!
The gameplay itself is very straightforward, pick a card, pay it’s time cost, and place it into your current trek. You’ll be compelled to wait for a card to slide along the card river, so it matches up with the bonus token that you really want, so you can earn bonuses from your itinerary. This is risky, however, as you really need to hope that other players won’t snap up your card. Treks can only move forward through time, meaning if the token you really want is associated with a card late in the timeline, you may find yourself making several shorter treks, and hoping you make up the difference in points. It’s quite satisfying when everything works out, however. There are great moments during the game where the perfect card slides into the right position, and claiming that event just so happens to trigger extra bonuses on your itinerary, rocketing your marker up the score track. When the combos hit, the game sings.
I love the time mechanic, I’ve loved the mechanic in every game I’ve played that featured it (Glen More, Patchwork, and Thebes are the games that come to mind). The cards that offer you a variety of resources, and sit further back in time require more opportunity cost to acquire, which offers an excellent trade-off. It can be frustrating when you have to take a card that launches you several spaces into the lead, then you sit there, watching the other players take turn after turn, letting the card you want slip right past the resource you needed, but the flip side is quite satisfying. If you happen to have them, the time crystals allow you to reduce the time cost when acquiring a card by 1 space per crystal you spend. We found ourselves using these to get multiple turns in a row more often than perhaps we should have, but it gave us greater control over that card market. Which in a game with narrow margins, every extra point counts!
Every card represents an event in history, and the back of the card shares some details about that event. Just like in HerStory, also by UnderDog Games, this feature educated us during our downtime of the game. Events or objects I’ve never really considered, like “Breaking the Sound Barrier with Chuck Yeager”, or “Race in the Paris-Rouen” were suddenly interesting. While waiting for my turn to come back around, I felt compelled to flip over the card. Even better were the conversations some of the cards inspired amongst my friends, like watching Freddy Mercury during the 1985 Live Aid concert. I love when a game helps pull the stories from our past, or encourages us to talk about hobbies other than the game we’re currently engaged it. It’s an easy way to introduce someone to stories from other cultures they may never have encountered otherwise.
With only 36 time to spend each game, and most cards costing between 2 – 4 time, Trekking Through History moves along quickly. Before you know it, you’ve picked up 13 cards between your three treks, and the end of the game is bearing down on you. There’s a lot of luck in the cards, considering only 6 cards are available to you when it is your turn. It can be entirely possible that there just aren’t any cards that will generate the resource you need! I don’t think Trekking Through History is the absolute best drafting or set collection game out there, but it’s one that would absolutely excel in a family setting. I wouldn’t hesitate to plop this down on a week night to encourage curiosity from the younger people in my life.
The deck of cards is thick, meaning players will always be seeing new events. The game flow is easy to follow, and it feels good when the luck just happens to fall the right way. It’s a fun and smooth game, and with the dates on the cards making each card valuable or worthless depending on the state of your current trek, it’s hard to inflict bad feelings via hate drafting. With short and long term goals pulling you in multiple directions, I felt engaged through my plays of Trekking Through History, and I really enjoyed the snippets of knowledge I acquired in between my turns. It’s attractive, fun, and quick to play. It’s probably not one that I’ll be pulling out with my regular game group often, but it’s the kind of game that I would put in front of my sister and her kids when they ask “What’s the board gaming thing you’re always going on about?”
I have very little experience with One vs. Many games. I’ve played Scotland Yard once, Betrayal at House on the Hill once, and Pandemic with the bio-terrorist expansion once. All of these experiences have been fine, but none of them have inspired a love for the genre for me. Bear backed the Beast Kickstarter, and has been eagerly anticipating its release, so, for this week’s game night, Beast was the game we played.
How to Play
Beast’s rulebook is deceptively thin, considering how much asymmetry the game holds. As a ‘1 vs many’ game, there are two halves of the conflict that need to be taught, as both sides need to know what powers and limitations the other has in order to effectively strategize.
With 6 different beasts, 6 different hunters, and 4 different contracts included in the game, there’s plenty of variety to choose from. We chose to follow the suggested first time set up with “The Great Cleansing” contract, with the Beast Fangrir being hunted by Helga and Assar. The gameplay is pretty simple, each of the characters has a set of ability cards, then, each player will draft 4 of the 16 action cards. Each card has a symbol in the centre, either red or blue, along with two potential actions at the bottom. The top action is what the heroes get to do if they play that card, while the bottom action is what the beast gets to do if they play that card.
The goal of the game is outlined on the contract, and for The Great Cleansing, the Beast had to kill two of the three villagers on the map. The hunters had to either survive until night of the third day, or, slay the beast.
The Beast is often “hidden”, with their figure on the map only denoting the Beast’s last known position. Whenever the beast moves, they play a direction card face down. If a hunter or villager manage to happen upon the Beast’s trail, the beast must put down a trail token. The Hunters have an ability to “search” a location, which, if the Beast is in that location, becomes revealed, and is now attackable. The Beast can become hidden again as soon as it moves from its spot.
Every round starts with the Beast taking their turn. Every player can play one or two cards on their turn, but only one card of each colour. No doubling up on red actions here! Around and around players take actions until someone passes. There is a rule stating that you cannot pass if someone has less action cards than you do. The round only ends once all players pass in succession.
After all players have passed, they enter the evening phase, where, both Beast and Hunters get to spend the grudges they earned during the day to unlock new abilities. Once all players have completed their evening phase, the morning begins with another action card draft. The game ends when either side of the conflict achieves their goal.
First Impressions
Asymmetric games are always difficult to grasp on the first play. Each character, Beast, and contract has their own nuances, and I can’t always foresee a character’s strengths or shortcomings and how they’ll play into the chosen scenario, so I’m always thankful when the game offers character suggestions for first time gamers to get into the experience quickly.
On the very first turn, I was able to deuce where the beast had moved to with 100% accuracy, moved into that spot, and hunted him successfully. This hit left Fangrir scared. He spent the rest of the round moving and attacking the bare minimum to accomplish his daily goal, then running away again, not leaving him exposed for a single turn.
At the start of the second day, Fangrir got a Beastly talent that allowed him to react to our Hunt card. When one of us played the Hunt card, he could spend a grudge to instantly move to an adjacent location, rendering one of our hunt cards worthless. There was one point during the second day when I was standing on the location and was 100% positive that I was on the same location as the Beast, but I didn’t have any cards with a Search ability, so, there was nothing I could do.
We chose to end the game after the second night, as it was getting quite late. It took us about 3 hours to set up, learn, and play through 2 full rounds of Beast. A lot of that length of play comes down to analysis paralysis. Both sides have a lot to consider on their turns, and when you’re staring at a hand of 8 cards trying to figure out which two you want to play, it can really slow you down. One of the games that Beast reminded me of was INIS, which is another drafting game. I imagine much like INIS, Beast gets better on repeat plays, when all players know what ability cards are available, and are more intimately familiar with both roles limitations and powers.
Bear was adamant that if we had continued into the third round, he would have taken the victory, but I’m not so sure. We needed to hit Fangrir 3 more times, while Fangrir needed to cross half the map and attack a villager. Between the two hunters, and Bears’ cautious nature, I don’t think he would have been able to pull it off without either running out of steam, or, getting pummled on the one turn he left himself vulnerable. It would really have come down to the cards that got drafted, and the reactions/items/beastly talents that would swing the game in either direction.
My big frustration with Beast came with the Beast’s hidden/reveal mechanic. I really disliked that all the Beast has to do to become hidden again is simply move, but for the hunters to find the Beast, they need to play a card with the “search” keyword. It was superbly annoying that I knew exactly where the beast was, I was standing right on top of it, but I just didn’t have a search card to play, leaving us at a weird stalemate. I feel that if I need to search to find the beast, then the beast should have a corresponding ‘hide’ keyword, or, I should be able to just attack a space that I think (or know) that they’re, and if I’m right, do damage to you, and if I’m wrong, get a punishment, like slay one of the pigs and give the Beast the corresponding grudge. Just, more freedom to actually progress toward the hunter win condition.
I don’t like games that handcuff you. The situation of “The goal of the game is to kill the beast, but you can only attack him if he’s revealed, and you only get one reveal card per round. Also, the Beast has a reaction card that nullifies that card once” really frustrated me. I suspect the reaction card to nullify the hunt card one time would be less powerful in a 4 player game, but it felt very swingy in our game, and I can only imagine would be pretty killer in a two player game.
I can really see how Beast rewards experience. The more we know what cards are in the deck, the better we can control the draft and what ability cards even get given to the beast, the better we can all find those crazy combos that make us feel powerful. I am really looking forward to learning what really makes those hunters different, and what surprises the other Beasts have in store for us. I also really wonder if that same mission would be harder or easier if we didn’t just follow the suggested Hunter setup. All things I’m excited to discover!
