Great Heartland Hauling Co., designed by Jason Kotarski and published by Dice Hate Me Games, is a clever little game packed into a small box. The rules for Great Heartland Hauling Co. can be distilled to a single card, making it perfect for teaching people who only have a cursory interest in board games.
No room for bananas here!
Great Heartland Hauling Co. uses the theme of truckers rushing up and down the American interstate, picking up goods and dropping them off at the next town over for a huge profit. While spending hours driving in one direction may be the bulk of a haulers job, it’s difficult to make an invigorating game about rolling your truck on a straight road through the flat prairies. Luckily Great Heartland Hauling Co. doesn’t focus on the dozen brain melting hours in-between stops, and focuses on the excitement of buying and selling goods, and pushing your luck that the correct waybills will appear just when you need them.
How to Play
This land is ripe for truckers
In the beginning, the landscape must be created. The distribution centre location is laid down in the centre of the table, where all trucks are born. Surrounding the distribution centre are location cards, each one loaded with 5 cubes representing the type of good that can be procured from that location. Everyone gets a hand of 5 cards, and the player with the best moustache or longest hair gets to go first.
In Great Heartland Hauling Co. there are two different types of cards: waybills and gas cards. You use any number of gas cards to move from one location card to another (max movement is 3). When your truck ends its move in a city, you may discard waybill cards to either load or unload goods at that location. Once you’ve moved and loaded, you refill your hand to 5 cards and your turn is over. It’s important to mention that two trucks cannot exist in the same city at the same time, for long haul truckers are territorial creatures and are likely to shank each other in the gas station shower.
It’s not recommended to have a wide variety of goods
If you find yourself beginning a turn without any gas cards, you can spend money to move instead; $1 for each space you want to move. Be careful to not rely on this however, as money also represents victory points. It’s also important to note that you may not mix gas cards and money for movement – you must choose one or the other for the turn.
Each location has a pair of goods they are willing to buy from your truck, as well as the advertised amount they are willing to pay you for said goods. Should you arrive with the appropriate goods and necessary waybills, you can unload those goods and collect a tidy profit. The first person to hit the money threshold ($30 in a 4 player game, $40 in a 3 player game, and $50 in a two player game) triggers the end of the game. The rest of your fellow truckers get a final turn, then money is deducted from each trucker for the goods they left to spoil in the back of the truck. The person with the most money is the winner.
Review
Great Heartland Hauling Co.’s small form factor has caused this game to live a life of constantly travelling in my backpack. I’m sure my copy of Great Heartland Hauling Co. has seen more of the British Columbian coast than most of my prairie saddled family! It’s a light game to drop into your pack and simple to pull it out at a coffee shop when you’re in Gibsons and have an hour to kill before the ferry back to Vancouver departs. Also, if you find yourself at a Serious Coffee table with 3 others and 90 minutes to burn between a wedding ceremony and the reception.
Pick-up and deliver is not a mechanic I often feel drawn toward. Games with this mechanism often feel like a race without the feeling of momentum or speed. Great Heartland Hauling Co.’s satisfaction comes from the quick turnaround of picking up goods and being able to deliver them the very next turn. It can be frustrating when you begin your turn with 3 pig cards, spend all 3 waybills to get those 3 pigs onto your truck, then several turns go by without any more pig waybills becoming available, so you’re forced to take those pigs on a countryside tour.
Don’t get caught with leftover goods!
One thing that I really appreciate in games is forcing players to make decisions. In Great Heartland Hauling Co. you are forced to move each turn, which makes you decide if you want to take gas cards or fill your hand with waybills,. Also, because you cannot exist in the same town as someone else, you may find yourselves tripping over one another, squatting in the spot you know they need to go to, forcing them to delay their payday by an entire turn! The various locations also offer different values for the goods they’re demanding. You can choose to ferry all the corn from one city to the next for $2 per ear, but if you haul it clear across the country they’ll pay you $4! It’s double the money, but also wildly increased shipping costs. If a game doesn’t offer you good or interesting decisions, then why am I even involved? Great Heartland Hauling Co. makes me feel involved.
As I alluded to before, Great Heartland Hauling Co. is a simple game to teach and play. Because of it’s small size and easy to learn nature, I’m constantly introducing this game to new players, and even using it to showcase that board games are more than just Monopoly and Connect Four. Because I’m always introducing this to new players, I haven’t explored the “Inspansion” content that includes player powers and special effects. I look forward to one day exploring the game further, but for now, I really enjoy the simplicity of play offered by Great Heartland Hauling Co.
One of the ways that I have changed things up a bit is by changing the shape of the board, utilizing one of the suggested map layouts. Unfortunately, this made Great Heartland Hauling Co. feel more like a dreary slog in a hot cabin with no air conditioning. While the idea of having a different board layout is exciting, the shape we chose had two long corridors running nearly parallel with only one space where you could move between columns. This ended up dragging the game out extensively. We spent more money to move further as there were less alternative towns to visit when the particular space that we needed to go to was occupied by another player. One time the economy was so choked due to us spending so much on gas and the highest paying customers being so far away from the goods they wanted, that we were ending up with a net profit of $1 per good delivered. This experience really highlighted the limitations of the game and how modifying the route structure makes it a significantly less fun game.
I know that sounds incredibly critical, and it is, but here is where I come to grips with my opinion on Great Heartland Hauling Co. It’s a light, easy to teach game that is perfect for introducing people to the hobby. Having said that, it’s too light for my regular game group gatherings, so we naturally pass it over in favour of something more complex. Great Heartland Hauling Co. is a great game and it certainly won’t be leaving my backpack any time soon, but it’s rarely on the list of games that I’m desperate to play again.
Try as I might, I cannot fit my lunch in this box.
Takenoko was among the first designer board games I ever played. My wife pitched the idea of going to the local board game cafe as a fun date (slightly against my will actually). That date opened my eyes to the world that is cardboard within cardboard. Little did she know that she was introducing me to a hobby that I would fall deep into, hard and fast.
Shortly thereafter, while thirsting for more board games I discovered Wil Wheaton’s Tabletop show on YouTube and chose to watch the episode with Harley Morenstein from Epic Meal Time (of which I used to be a big fan). Tabletop introduced me to Takenoko, a beautiful game about trying to build an aesthetically pleasing garden and grow bamboo to specific heights, all the while a damned panda keeps eating it all.
If the panda is the symbol of harmony and diplomacy, I’m sure the gardener is the incarnation of rage and spite.
How to Play (First Edition)
Takenoko begins with a single blue tile in the centre of the table. On that lonely blue tile sits a single gardner and his eternal rival, the panda. Each turn begins by rolling the weather die (Skip this step on each player’s first turn). The result of the weather die gives you a little boost for your turn, like granting you a third action – the ability to do the same action twice in one turn, a free panda teleportation action, growing a single bamboo stalk anywhere on the map, an improvement tile, or your preferred choice of all the benefits I just listed!
The playerboard keeps track of everything you have, and the actions you’ve taken on your turn
After you apply the weather effect, you take 2 actions (3 if you happened to roll the sun weather benefit). You may not perform the same action twice in one turn (unless you have the wind weather benefit). The actions available to you are to draw 3 plots of land and choose one to add to the central play area; to take an irrigation channel; to move the panda in a straight line and eat the top section of bamboo from wherever he stops; to move the gardener in a straight line and grow bamboo on every irrigated tile of the same colour adjacent to the spot where the gardener stopped moving; or to draw 1 goal card.
The goal cards you hold are what influence all of your decisions. At the beginning of the game you’ll receive 1 card for each type of goal; plots, gardener, and panda. The plot goals encourage you to arrange certain colour tiles in specific shapes. Once the shapes have been satisfied with the required colours, and every landscape tile in the shape has been irrigated, you may claim that goal. The gardener goals task you with growing bamboo stalks to specific heights on certain tiles. Conversely, the panda goals are all about feasting on the appropriate type and quantity of bamboo, making the stalks shrink by one for every piece the little white and black bear stuffs his face with.
When an goal has been completed, you simply place the card down on the table. The first person to reach the required number of completed goals triggers the end of the game and earns the Emperor’s favour (which is worth a couple of extra points). Every other player gets one more turn to accomplish any remaining goals they’re holding before the game is over. The player with the highest sum of points on their completed goal cards has won the game and receives the congratulations of the Emperor.
Just because you’re the one to end the game and get the bonus 2 points, doesn’t always mean you’ll win the game
Final Thoughts
Takenoko is a light and charming game with bright and colourful components. I find the mechanics and goals easy to internalize, and I enjoy evoking ire of the other players by making the panda chomp down on their carefully pruned bamboo stalks that they’ve been trying to grow all game so they can accomplish their goal of having 4 green stalks, all at the height of 3.
Actually the mechanic of hidden objectives is something my wife absolutely detests. It’s one thing if some makes a decision to deny you what you need, but it’s another thing entirely when someone ruins all your plans without even knowing they’re doing so. Apparently she just doesn’t enjoy having her plans ruined.
I absolutely love the artistic direction and the components in this game. The plot tiles are thick and bright, and the panda and gardener miniatures come pre-painted. The real star of the show are the bamboo stalks that stand high off the table. The chunky wooden spires attract the eye and capture the attention of new players. Plus, it is fun to see how high you can stack them while you’re waiting for other players to take their turns.
The game itself is easy to play Each turn is straight forward with few opportunities for making any single turn overly complex or acheive big game changing combos. This is nice and keeps each turn moving quickly, but it can be frustrating when the player across the table from you had 4 more goals cards down, it can feel impossible to catch up.
Personally, I find the weather die to be a bit of a frustration. I find the sun benefit (an extra action) to be head and shoulders above the other benefits, each of which are only situationally advantageous. The other issue I have is many of the cards require specific advancements that either come preprinted on the plot tiles, or are only obtained by the cloud weather benefit. When you have one of the advancement tiles, you can only place it on a tile if there is no bamboo on that tile, meaning the tile must be either unirrigated or the panda must raze the vegetation before any advancements can be placed.
The Panda destroys what the Gardener grows
It’s not uncommon for players to creep close to the endgame without passing the line. In the 2 player game, the first person to reach 9 completed objectives triggers the end game. Often I’ll see the game suddenly stall at 7 objectives realized as each player tries to queue up extra points in their hand. Considering that each other player gets one last turn to complete as many of their objectives as possible, it just makes sense. I find that players draw several plot objectives at the beginning of the game, then slowly move to drawing mostly gardener objectives at the end as the garden sprawls further and further away and the spires of bamboo reach the sky. The randomness can be aggravating as you somehow draw the one goal card that nothing on the board is nearly close to, while your opponent draws cards that are one bamboo segment away from being finished.
Ultimately Takenoko is a lovely game that you can use to allure people who would otherwise turn their nose up at the waves of beige that dominate other board games. With a commanding table presence and easy to play mechanics, Takenoko is often a winner when I’m not playing with my normal ‘advanced’ board game group. I wouldn’t introduce this to a complete non-gamer, as the amount of decisions are a little much (5x weather effects, 5x different actions). If someone has expressed interest and is willing to be engaged in the experience however, this game is a hit!
Lesson of the day, never store Takenoko on its side
I also really like to imagine a world where a gardener is trying to carefully cultivate an aesthetically pleasing garden, but one patch of trees happens to grow much more aggressively than the rest, so his solution is to source a panda and hold it over the tall tree to cut it down to the proper size. I don’t know if that world exists, but that’s the world that I want to live in.
There are few games in my collection that get the chance to leave my doors once its been slotted into a spot on the bookshelves. Qwirkle By Susan McKinley Ross is not one of those games. I own the travel edition of Qwirkle, which has small tiles and a zipper bag to hold everything together in a conveniently tiny package. The ease of transportability coupled with the fact that this game only needs a relatively flat surface to be played means we have played this game in locations from sea to shining sea. As an added bonus, it is a relatively wind-resistant game, so playing it outdoors is less of a challenge.
Qwirkle, aside from being awkward to spell when you’re sleep-deprived, is a tile placement game for two to four players. You begin the game with 6 tiles in your hand. Each tile has two attributes; a shape and a colour. On your turn you place any number of tiles in a single line as long as every tile in that line shares one attribute (either all the same colour, or all the same shape). You earn one point for every tile you place from your hand onto the table.
A game of Qwirkle starts out simply enough
Very quickly the common play area becomes a sprawling mass of tiles. The rule of lines of tiles only a being a single attribute quickly becomes a thorn in your side as you search for a spot to place your 3 green tiles that doesn’t abut against tiles that are not green, or worse, the exact copy of what you have in your hands.
As you add onto and spin off of lines of tiles, the length and score will creep higher and higher. Placing a 4th tile in that green line earns you 4 more points. The next piece placed will earn that player 5 points, and if someone can complete the line with the 6th shape or colour, they get 6 points, plus a bonus 6 points for a “Qwirkle”. They are also contractually obligated to shout out the word “Qwirkle” as they tap that piece onto the table.
The play area quickly sprawls out
The challenge with Quirkle is that the player’s best move also tends to set up other players for even better moves. The more lines on the board, the more likely someone is going to earn 5 points or more per turn. Knowing what’s left in the bag isn’t to hard to parse. There are 3 copies of each tile in the bag at the beginning of the game. Subtracting the 6 tiles that each player has in their hand gives you a pretty good idea of what you can and cannot hope for. If there are 3 orange circles on the board, you had better not be hoping for another orange circle to come out of the bag or you’re going to find yourself quite disappointed.
This placement is a no-no
One issue that does come up is the fact that it can be hard to tell some of the colours apart from each other. Trying to differentiate the purple and blue colours, or the orange and the red colours, on the black tiles feels nearly impossible if the lighting is anything less than perfect. Also, if you’re colourblind, give this game a pass; there is no way to differentiate the the tiles from one another other than colour.
Qwirkle has traveled across the country with me and has been played on a dozen different surfaces. It’s an easy game to teach the in-laws while being just competitive enough that keep players engaged. The smaller travel edition makes a great stocking stuffer (I know because I stuffed it into my wife’s stocking one Christmas) and comes in a lovely zip-up pouch. The full size game comes in a larger cardboard box. I understand the concept of ‘shelf appeal’, and I’m not the one bringing these products to market. I’m just the guy who needs to find new and creative way of storing board game boxes lest my wife pitches my newest acquisitions onto the lawn because I stored games in the towel closet again (Note from the wife: It isn’t that I mind his board game collection; it’s just his choice to displace the towels in favour of his games!). Maybe my ‘travel’ games will just live in a backpack from now on, perpetually ready to go. I’ll tell my wife it’s motivation to travel! What could go wrong?
Bullet♥︎ exploded into into my life from seemingly nowhere and consumed my soul for nearly 3 weeks. I was drawn in by the promise of fast paced shoot-em-up (SHMUP) action and a gorgeous anime aesthetic. What I got instead was a compelling puzzle game where the player manipulates sliding discs to match patterns while learning how to best use each heroine’s abilities to defeat the multitude of bosses.
Adelheid, one of the eight playable heroines
Bullet♥︎ is a game that offers numerous play modes. You can play the head-to-head mode, which is designed for multiple players to battle to the death; the score attack mode that lets players see how long they can survive when their neighbours aren’t trying to kill them; or you can explore the co-op/solo option, the boss battle mode. Bullet♥︎ is designed so that players learn the head-to-head mode rules first, as that forms the foundation for the rest of the play styles.Bullet♥︎’s head-to-head mode begins with a real-time 3 minute timer dictating when a round ends. During each round players put a certain number of discs (called bullets) into their own bags and start the timer. As soon as the timer starts ticking, they’re free to furiously pull bullets out of their bags, one at a time, and place them on their board (players’ boards are referred to as their ‘sight’) according to the colour and number depicted on the bullet.
Each bullet colour has its own lane, and the number on the disc tells you how many spaces down your board the bullet must be placed, skipping over any spots that already have a bullet occupying them. Players can be as quick or slow as they want when pulling bullets out of their bag, and can spend energy freely to use their heroine’s skills to manipulate the bullets that are already in their sight. The goal is to utilize pattern cards to remove bullets from their board and send them off to an opponent. However, if the timer runs out and they still have bullets remaining in their bag, the bullets must be drawn and placed in the sight with no opportunity to manipulate or clear them. If a bullet ever hits the bottom row of the sight, the player loses 1 hit point, and if they run out of hit points, they’re out of the game.
Three of Mariel’s patterns. Each character has up to 10 different patterns.
At the end of a round, every bullet players have managed to clear from their sights gets put into the bag of the player to their left. As as the rounds proceed, more and more bullets get added to everyone’s bag from the supply. The game continues until there is only one player left standing. While this is supposed to feel like a victory, proving your superiority over your friends, in reality it feels like the winner is just the person who was able to tread water the longest. The head-to-head mode helped me to learn the fundamental rules of Bullet♥︎, but I’ve spend the vast majority of my time with this game in the solo or co-op mode, the boss battle!
The Intensity track adds bullets to every players bag at the start of each round
Every character in Bullet♥︎ has a boss mode that presents you with a wildly different challenge to overcome. The boss battle mode plays very similarly to the head-to-head mode, except all of the bullets coming into your bag are dictated by the current level of the boss, and how far you’ve broken down their shields. As you continue to send bullets and break the boss’ shields, the number of bullets that will get added to your bag each turn usually increases.
In addition to the multitude of bullets that you have to deal with, the boss has a pattern of their own that you must match in the end of the round, or suffer their penalty. In the case of Adelheid, your bullets are turned upside-down, which can make them difficult to use in your patterns. If you happen to break one of Adelheid’s shields while you have face-down bullets, the face-down bullets will automatically hit you.
Adelheid, how could you turn against us? We trusted you!
Each character and boss is wildly asymmetric in nature, to a degree that I didn’t think was possible when I first learned the Bullet♥︎ system. Playing different characters can feel like an entirely different game because the ways they interact with their boards is so diverse. To compound on that, every boss presents you with a fully different challenge, which drastically increases the replayability. Some bosses are a cakewalk to defeat when using a specific character, but feel completely insurmountable when using the other characters. It’s incredibly fun to explore each of the characters and change your strategies depending how they play off each of the bosses.
The boss battle mode does away with the real time aspect. This allows you to slow down and puzzle out exactly how you want to approach each wave of bullets as they enter your sight. I understand why you wouldn’t want to use a timer during this mode, considering the additional cognitive load of running the AI and ensuring that you’re not going to trigger an effect that will deal 4 damage to you in a single move. However, it does remove the action-packed, fasted paced nature the game promised to emulate.
I love Bullet♥︎, and whole-heartedly recommend playing it. I’ll be the first to admit my biases; I love the anime asthetic, I’m an avid gamer (even if SHMUPs aren’t my genre of choice), and I love puzzle games. Bullet♥︎ checks each one of those boxes. The publisher, Level 99 Games, has also released a soundtrack of 3 minute long character themes that you can listen to via Spotify while you play the game, which is a wonderful addition to the experience.
One of the major downsides of me playing Bullet♥︎ 40+ times over the last month is that when I return to in-person gaming and I introduce my friends to this game, I’m sure I’ll wipe the floor with them. There isn’t anything to assist new players against veterans, other than making the veteran use a character they’re unfamiliar with, but who knows if even that will be enough slow me down. I did have some success when introducing this game to a new player by playing 3 co-op rounds of the boss battle mode first, and then moving into the head-to-head battle. This way the other player has SOME familiarity with the system. Still, it’s hard to close the gulf separating our experience levels when I have dozens of plays under my belt.
The entirety of my experience with this game has been via Tabletop Simulator, which also gave me access to Bullet🍊, a 4 character expansion to the game, based off Orange_Juice games (Sora, Flying Red Barrel,SUGURI, and QP Shooting – Dangerous!!). This expansion adds even more asymmetric heroines and bosses to face off against, further expanding the matrix of play options available, and offering even more different ways to interact with this system.
While it does feel weird to recommend a physical product while having never put my own hands on it, the digital implementation allowed me to fall in love with the challenge presented within the box. As soon as this game lands in my FLGS, I know I’ll be picking it up.
3 – That Which Points was a tough nut to crack. Oh my elation when I finally knocked her ass to the curb
All above images ofBullet♥︎are screenshots of the Tabletop Simulator mod.
When asked about my hobbies, one of the first activities that I choose as the activity to define myself is that I’m an avid reader. This is why in my home my bookshelves have 9 compartments dedicated to books and only 3 to board games. I’ve always been a voracious reader, going back to my elementary school days. I would get irrationally excited when the Scholastic Book Club pamphlets would come out and I would excitedly circle all the books that I wanted (Come to think of it, it would have been less work to cross off the books I didn’t want). Unfortunately I grew up in a very small town in northern Manitoba, which meant that the newest books in the libraries were on average a decade old. I was also the child of a single mother who was raising three kids and did not have a lot of room in the household budget for brand new books.
Regardless, I spent the vast majority of my free time in the school library, reading through most of the fiction section. It’s there that I got to experience some fantastic stories that I would have otherwise passed on. I will never forget pulling a unassuming brown covered book off the shelf, and reading Lamb by Christopher Moore for the first time, not knowing what a wild ride I was in for.
I was incredibly lucky to have some great teachers who invested in my love of reading. My IT teacher introduced me to Terry Pratchett’s Discworld novels with Guards Guards!, and I now have an entire shelf dedicated to Pratchett. Another teacher introduced me to his personal Dragonlance Chronicles collection, thereby ensuring I would never get a date throughout my high school career.
When it comes to my board game preferences, I absolutely have a proclivity toward deck building games. There’s something about the mechanic of building a deck of cards over the course of a game that just makes me smile. I love starting with a small pool of cards and adding cards one at a time, while culling cards that don’t fit my vision, until the result is a deck that’s finely tuned, completely unrecognizable from the deck I started out with, and ready to destroy my opponents.
Paperback marries my two loves, and also tickles the fancy of the woman I married. A deck builder with a book theme, every card in your deck is a letter and to get points and currency, you need to use your letters to make words which allows you to buy more powerful letters to make bigger words! The catch is that in order to gain victory points, you need to buy wild cards that award you no currency. You must balance buying cards that make your deck more powerful and cards that will win you the game.
I recall Paperback being pitched to me as a “Scrabble, but deck building,” which sparked my curiosity and intrigue just right. You see, when my wife and I first started dating, we were long distance. We would spend hours on Skype playing Scrabble online, and listening to a playlist that we created together. Scrabble became a pretty integral part of our relationship early on, so hearing about a game promising to mix that with the deck builder genre using a theme about writing books made me wonder… Was Paperback designed directly for me?
How Paperback Plays
Paperback plays like most other deckbuilding games. You begin the game with a deck of 10 cards and draw 5 cards per turn. Over time you’ll buy cards to put into your discard, and if you ever need to draw cards but your deck is empty, just shuffle the discard to form your new deck.
Each card has a letter, a special ability, and a value, letting you know how many ‘cents’ you’ll earn if you include that letter in your word. Each turn you can play the cards from your hand to form a word. You don’t have to use all the cards in your hand, but any that go unused will end up in the discard pile. Once your word is formed (assuming no one calls you out for trying to pass off Realy as a proper word), you add up the cents earned from each letter, then purchase cards from the card row to add to your discard. All the cards from your word and your hand go into your discard pile, and you draw a new hand for the following turn.
The letters you can buy from the card row increase in cost as well as in value. You’ll soon find yourself buying an M that gives you 3 cents when you play it, or an R that lets you draw extra cards next turn, or an S that gives you extra cents when it’s the last card in the word. Very quickly you’ll find yourself within reach of the the 7, 8, and 9 cent cards that were impossible to obtain when the game first began.
The other type of card that you can purchase is wild cards. These cards do not give you any cents when they’re a part of your word, but being wild, they’re very useful to have in your hand, offering necessary flexibility. While these cards don’t offer much value during the game, every wild card is worth victory points at the end of the game. Each game has a turning point; usually around 75% of the way through a game your deck has enough really good cards that you don’t feel the need to add any more letter cards, and you can start focusing on those wild cards. In our experience, once one person starts buying wilds, everyone should follow along quickly, or they’ll find themselves with a deck full of letters, but no victory points to contest for the title of best novel writer.
The stacks of wild cards also function as the endgame trigger; once two of the four piles of wild cards are claimed, the game ends. At that point you break your deck apart, count all the victory points you have earned on each of your wild cards, and the player with the highest score is the winner.
Compared to Scrabble
I’ve played a lot of Scrabble, and talked about Scrabble to a lot of people who are into hobby board games. The most common complaints I hear are that turns take too long as people hold their head in their hands trying to find a really good word and a valid spot to place their word once they’ve finally identified it. The other major complaint I hear frequently (out of my own mouth because my wife is the worst for this) is that as you get better and better at Scrabble, the game becomes less and less about playing great words, and more about playing small words that score well while controlling your opponent’s access to the double and triple word score spots. Scrabble devolves from a word game into a game almost entirely about area control and getting a mix of letters that can go in many high scoring places.
Paperback does a excellent job of sidestepping the complaints that plague Scrabble. By removing the need to chain off other words on a board, each player needs only to focus on the letters in their hand. It’s often much easier to see a word that uses all, or at least most of your cards and that’s the best word you can possibly make. The flipside to this is you are now at the mercy of your deck. If you draw a bad hand of cards (such as Q, K, J, X, C and no wilds), you’ll just have to discard your hand and wait for your next turn. You can’t even play a tiny word for one or two cents because any unspent currency is lost at the end of your turn.
Conclusion
Paperback doesn’t try to improve upon the deck building genre, nor does it need to. If you’ve played Dominion then Paperback‘seconomy and mechanic of points cards clogging up your deck will immediately feel familiar. By taking the tried and true formula of deck building and applying a word-building theme, designer Tim Fowers has created an approachable gateway for fans of word games everywhere.
Paperback is a game that my wife and I have played a lot. We have played the physical game at least 19 times together, and when the Android app was released we instantly bought it and spent many a night playing against each other while lying in bed before going to sleep. We’d have games going during our work days, each of us stealing a few minutes here and there to play a turn. It is a super fun game, and it takes a long time before repeatedly playing it gets old.
I have a type. It’s Tim Fowers
Honestly, once the app came out, the tabletop version really stopped hitting the table. The setup for the game is a bit much, even with the well divided box. Eight separate piles that form the store, plus 4 more piles for the victory point cards, everyone gets a starter deck and common cards need to be arranged; it’s not difficult to set up, but it is absolutely easier to just press a button on the phone and start playing. It is also handy that the app will dictate which words can and cannot be used. The app does lack the attack cards that inject a bit of player interaction into the game, but my wife and I often choose not to play those cards. For us, the joy comes from building each other up and trying to see who can stand tallest, not who is better at knocking the other to their knees.
Since the app came to our phones, Paperback has physically hit the table 3 times. I have felt slightly burned out on it because we have played it so frequently, but I still get a sense of glee when I open the box and hand each player a deck of fairly well-worn cards. I hadn’t actually noticed how worn my cards had become until I received the Paperback Unabridged expansion along with my Kickstarter copy of Hardback. Once the expansion content was slotted into the original Paperback box, I was taken aback by how pristine the new cards looked and how tattered by comparison my old cards were. Personally, I believe well-loved cards are a sign of a great game.
Can you tell which cards were added later?
For me, Paperback is my favourite word game, narrowly edging out it’s pre-quill, Hardback. I love the deck building and the trade-off of buying wild cards that clog up the deck but provide the points you need to win the game. I’ve introduced Paperback to a lot of people, and it’s never failed to impress. So many people have played Scrabble that a word game is almost second nature, and the twist of deck building always excites, especially if it’s a mechanic that they haven’t seen before. Because it has such an appeal for people who aren’t into designer board games, it’s the perfect game to use to introduce your bibliophile friends to this wonderful hobby.
Artist: Gavan Brown, Scott Carmichael, Lina Cossette, David Forest
It Always Goes Back to Games With Me
I have a confession to make. I love games. I know, shocker. I’ll wait as you all pick up your collective jaws off the floor. One of the things I love most is discovery. I’m always searching for a new game to play, a new experience to …experience. It doesn’t matter that I have half-finished games on my Nintendo Switch, or 300+ games that I’ve barely touched in my Steam library (30 minutes or less played time); I’m always looking forward to starting a new game.
In addition to the thirst for discovery, I’m also super cheap. This combination of insatiability and thriftiness leads me to some interesting places. I’ve played many Flash (RIP) games you can play for ‘free’ in your web browser. A long time ago I played a game called Motherload. The goal of the game was to dig and dig and dig until you found the centre of the planet.
Imagine my surprise when I gathered with my family in Saskatoon and my cousin pulled out a small square board game box titled “Super Motherload”. The connection to the Flash game didn’t connect at first, but once we set up the game and began playing, the memories came back.
The Mechanics of Digging through Mars
Super Motherload is a light deck builder about digging into Mars and collecting valuable minerals to purchase better pilots, all in a race to accrue the most prestigious mining company? I’ll admit the goal of the game doesn’t quite match the theme, gathering a surplus of minerals that will languish in your vaults. The winner isn’t necessarily the player who earned the most money (but it helps), but the player who accrues the most victory points at the end of the game.
Each player deck has unique art, and has slightly asymmetric powers
Super Motherload does it’s very best to emulate the experience of a side scrolling (or in this case a vertical scrolling) video game. The first two double sided Mars boards are placed on the board and each player gets a unique starter deck, each one slightly varying from the other. Each player starts with a 7-card base deck, plus 16 more cards laid in groups of 4 in front of them, forming a personal shop. As the game progresses, players may purchase cards from their shop to add to their deck. The last person who dug a hole gets to take the first turn, and the game is underway. A turn consists of 2 actions. You may draw 2 cards, play cards of the same colour for their drills, or cause an explosion by playing a bomb token and a red card. You may perform the same action twice in a row.
As you chew through the dirt you’ll inevitably uncover minerals that you can use to purchase more cards from your shop. If you meet or exceed the value of the card, you remove all minerals you’ve allocated to that card and place it into your discard (and get a one time bonus for buying the card). Be warned that the economy on Mars isn’t like Earth – if you overpay, too bad so sad.
Various obstacles will prevent you from beelining to the core of the planet. For instance, rocks and metal plates require you to use different tools to progress. Metal plates can only be dug though using drills of the matching colour, and rocks must be bombed. You do still get the minerals if you bomb through them, though, because on Mars there are special bombs that only destroy worthless rocks, leaving the valuable stones untouched for your capitalist needs (the theme is falling apart again).
One of the best features of Super Motherload is that you can always dig starting from any of the tunnel pieces that have already been placed on the board. As you go further down into Mars, the quality and quantity of goods begins to increase. This causes every player to take as much as they can on their turn, while trying not to give the next player immediate access to whatever treasures lie beyond your current reach. I love the trade off – biding your time and building up your hand while waiting for someone to make a move that allows you to strike out at a particularly rich ore vein. Your tunnel may then be used by someone else to reach even further and gather more resources. This cycle is incredibly satisfying and is what keeps me bringing this game back to the table for more.
As the game progresses, diggers will come across artifact tokens (pictured above). Each token has a hidden bonus on the back that players can choose to use at their discretion. If all the artifact spaces are uncovered on a board, the top board is removed from play and a new board is placed at the bottom, introducing a whole new realm full of valuable goodies and mounds of dirt just waiting for your drills to penetrate it (ahem) recover the goods.
The majority of victory points will come from buying the increasingly expensive pilot cards in your personal shop, which consists of four different decks. Each deck has pilots who are trained for different specialities. For instance, the red deck pilots specialize in bombing. As you purchase pilot cards, the following card in the deck is more expensive, but it is worth an increasing number of victory points. The challenge is to balance buying pilots of different specialties while accruing the most victory points.
To make matters more interesting, Super Motherload also has Major and Minor achievements that may influence how you play each turn. The Major achievements are earned by fulfilling the ‘recipe’ of having purchased the required number and type of cards from your personal shop. Only the first player who satisfies the requirement of each achievement can claim it, and once the major achievements have been claimed, they’re gone from the game.
The minor achievements are a little more fun, asking you to accomplish seemingly random tasks, such as drilling 4 spaces in a single action, or simply having three bomb tokens in your supply. Chasing these goals may have you putting your long term plans on hold, but I’ve seen players earn enough points to swing the whole game by just earning enough minor achievements. Once a player collects a minor achievement, a new minor achievement card is drawn. Once again, you have a choice – do you use your turn to further your progress on a major achievement, or do you take a detour to collect a minor achievement? You may only collect one achievement per turn.
The game ends after the final artifact is obtained on the 4th board. As the communal tunnel inches ever closer to the final artifact, each player scrambles to scratch out their final few points without giving anyone else the opportunity to end the game. When that last artifact is claimed, the game ends immediately, irrespective of who was the first player. All the points on the player cards and any major and minor achievements are added together, along with any points that may be on some of the artifacts. The player with the highest score has created the best intergalactic mining company. I think? I told you, the theme gets thinner and thinner the more I think about it. My solution? Don’t think, just play!
Final Thoughts
Super Motherload offers a a unique spin on the deck building genre. By not requiring players to discard unused cards and draw a whole new hand each turn evokes a feeling of momentum. You can build up steam, gathering a handful of cards then blast off, reaching that high value gem that everyone thought was out of reach. If you have a big turn, spending all your cards digging massive new tunnels, you’ll find your next turn lighter as you recuperate from the aggressive activity. That’s not a bad thing however, I feel it evokes the feeling of someone who rushed out too far, too fast, and broke their little digging machine. The players who take their time, making slower moves never hit a big payday, but are never left out in the cold.
While most deck building games reward players who focus their decks to a specific synergy (Hardback, Star Realms), building a slim, uber functional deck is not the core of the game here. The crux of Super Motherload revolves around the spacial element of burrowing for resources on the board, seeing the best time to lay down 4 drills to just barely get that extra valuable gem, and racing for the low hanging fruit of the easy to achieve achievements. The double sided boards offer a nice variety of obstacles, and if you’re desperate for more, fans have posted some of their own creations.
What does add to the replayability is the asymetric nature of each player deck. Each deck’s purchasable pilots are unique and exciting to play repeatedly, mastering the different combos each one offers. It’s refreshing to swap to a different deck to try a different strategy. Each deck is unique enough to add it’s own flavour to the game, but not so wildly different that you’re railroaded into a specific strategy that may or may not pair well with the minor achievements.
Now this is a well sized box
I do wish Super Motherload had a expansion. More map tiles, more asymmetric player decks, different minerals and so on. Nothing that changes the game drastically (I’m looking at you, Isle of Skye), as the core gameplay of Super Motherload is absolutely fantastic. I just want more of it.
I think that’s probably the highest praise I could give a game. I simply crave more of it. Honestly, owning Super Motherload turns you into missionary; it’s the kind of game that you want to introduce to everyone, especially those who love deck builders, as it has the deck building elements that you love from other games, but a very satisfying board element to go along with it
